Agosin, Marjorie (Spanish) Agosin, “The Autumn of the Mothers.” 6.1, 36.
Aranda, Lucía. (Spanish) María Monasterios, “Air.” 17.1, 116.
Atxaga, Bernardo. (Basque into Spanish) “Arcaico Corazón.” 12.1-2, 45.
—(Spanish) “The Death and Life of Words.” 12.1-2, 58.
—(Spanish) “Written in the USA.” 12.1-2, 62.
Aynesworth, Michele McKay. (Spanish) Fernando Sorrentino, “A Question of Age.” 13.2, 208.
Bauer, Samuel. (Spanish) Joaquín Sabina, “The Damned Blessed I.” 18.2, 42.
Berg, Mark. (Spanish) Ibn Zaydun, “Luscious Córdoba.” 15.1-2, 178.
—(Spanish) Zaydun, “Nostalgic Lover.” 15.1-2, 178.
—(Spanish) Zaydun, “Wine and Roses.” 15.1-2, 178.
—(Spanish) Zaydun, “After Absence.” 15.1-2, 178.
—(Spanish) Zaydun, “A Furtive Glance.” 15.1-2, 178.
—(Spanish) Zaydun, “A Secret.” 15.1-2, 178.
—(Spanish) Zaydun, “Hidden Suffering.” 15.1-2, 178.
—(Spanish) Mahmud Sobh, “Heroism of an Arab in the Mantle of a Poet.” 19.1-2, 84.
—(Spanish) Sobh, “Free Sail.” 19.1-2, 85.
—(Spanish) Sobh,”Of the Green Meadows.” 19.1-2, 85.
—(Spanish) Sobh,”A Meeting with my Son at his Birth.” 19.1-2, 87.
—(Spanish) Sobh,”Lament for the Ruins of Medina Asahra Before, During, After.” 19.1-2, 86
—(Spanish) Sobh,”From the Other Shore.” 19.1-2, 90.
—(Spanish) Sobh,”Taqasim.” 19.1-2, 93
—(Spanish) Sobh,”Poetry Lesson.” 19.1-2, 94.
—(Spanish) Sobh,”The Poet’s Clay.” 19.1-2, 96.
Berg, Mary G. (Spanish) Clar E. Ronderos, [Untitled.] 18.1, 96.
Breto, Isabel Alonso. (English into Spanish) Nuala ní Dhomhnaill, “Nude.” 12.1-2, 226.
—(English into Spanish) ní Dhomhnaill, “I Cannot Lie Here.” 12.1-2, 232.
—(English into Spanish) ní Dhomhnaill, “The Language Issue.” 12.1-2, 236.
—(English into Spanish) ní Dhomhnaill, “Labysheedy (The Silken Bed).” 12.1-2, 242.
—(English into Spanish) ní Dhomhnaill, “My Own Love (In Brackets).” 12.1-2, 248.
—(English into Spanish) ní Dhomhnaill, “You Are.” 12.1-2, 254.
Brown, Diana Baldini. (Spanish) Olga Bressano de Alonso, “Pellegrino.” 20.1, 113.
—(Spanish) “Sempre Giovane.” 20.1, 115.
—(Spanish) “La pieta.” 20.1, 117.
Brown, Kevin. (Spanish) Efrán Bartolomó, “from: ‘Ocosingo War Diary: Voices from Chiapas.’” 20.1, 81.
—(Spanish) Efrain Bartolome, from: “Ocosingo War Diary: Voices from Chiapas: ‘Don Tonito.’” 21.2, 148.
Cabiedes-Fink, Alicia (and Ted Maier). (Spanish) Sara Vanegas Coveña, “Four Poems by Sara Vanegas Coveña.” 4.2, 94.
Call, Wendy. (Spanish) José Alfredo Escobar Martínez, “Santa Maria Del Mar.” 16.2, 82.
Calvo, Antonio F. (Spanish) Richard Bruce Nugent, From Smoke, Lilies & Jade: Dreaming a Future. “Alex’s Dream.” 18.1, 84.
Cañadas, Ivan. (Spanish) Francisco de Quevedo y Villegas, “A Mighty Lord is Master Gold (c. 1600).” 13.1, 120.
Camire, Kelsey. (Spanish) Julia Otxoa, “Aphorisms and Poems.” 12.1-2, 155.
Carbajal, Aleksandra. (Spanish) Rocío Qespi, “The Cemetery of Acari.” 16.1, 244.
Carbajosa, Natalia. (Spanish) Mila Ramos, Poems From “8,00 Reasons for Remembering.” 17.2, 66.
—(Spanish) Gracia Iglesias, “There Was a Mermaid in My Glass of Water” 17.2, 70.
Costa, Margaret Jull. (Spanish) Bernardo Atxaga, “Written in the USA.” 12.1-2, 62.
Croft, Jennifer. (Spanish) Lucas Mertehikian, poems. 21.2, 136.
Cuebas, Glenda Y. Nieto. (with German E. Vargas Ramos). (Spanish) Francisco De Castro, “Interlude of the Witches.” 23.1, 212.
Dahlgren, Marta. (English into Spanish) Emily Dickinson, “After Great Pain.” 10.2, 108.
—(English into Spanish) Dickinson, “My Life Had Stood—A Loaded Gun.” 10.2, 108.
—(English into Spanish) Dickinson, “The Auctioneer of Parting.” 10.2, 110.
Dubrava, Patricia. (Spanish) Mónica Lavín, “The Letter.” 20.2, 178.
Edwards, Jennifer Gabrielle. (Spanish) Hernando Tellez, “Lather and Nothing Else.” 10.2, 188.
—(Spanish) Julio Paredes, “Eme.” 10.2, 192.
Ehret, Terry (with John Johnson and Nancy Morales). (Spanish) Ulalume González de León, “Semantic Engagements.” 23.2, 84.
—(with Johnson and Morales). (Spanish) Ulalume González de León, “Word.” 23.2, 84.
Enríquez-Mejía, Rafaela. (Spanish into Nahuatl) Xánath Caraza, “Mujer.” 20.2, 114.
Erskine, Tessa. (Spanish) Luis Pulido Ritter, “An Illegal’s Fantasy with the Butcher on the Corner.” 23.1, 34.
Falek, Alexandra. (Spanish) Lara Villaro, “[Untitled].” 17.1, 104.
—(Spanish) Circe Maia, “Her.” 18.2, 44.
—(Spanish) Maia, “Death Song.” 18.2, 46.
—(Spanish) Maia, “Betrayal.” 18.2, 48.
Fleck, Jonathan. (Spanish) Óscar Hahn, “El Loco Amor.” 18.1, 164.
—(Spanish) Hahn “The Manic Love.” 18.1, 108.
Franzen, Cola. (Spanish) Saúl Yurkievich, “Perch’i No Spero di Tornar Giammai.” 9.1, 32.
—(Spanish) Yurkievich, “Memorable.” 9.1, 36.
—(Spanish) Yurkievich, “Moratorium.” 9.1, 38.
—(Spanish) Yurkievich, “Luminary.” 9.1, 40.
—(Spanish) Juan Cameron, “Alvaro de Campos.” 10.2, 113.
—(Spanish) Cameron, “Extrañas Circunstancias.” 10.2, 113.
—(Spanish) Cameron, “Escrituras.” 10.2, 115.
—(Spanish) Cameron, “Bolero.” 10.2, 115.
—(Spanish) Cameron, “Sobre el Talento.” 10.2, 117.
—(Spanish) Cameron, “Carte de Viaje.” 10.2, 119.
—(Spanish) Cameron, “Erase una Vez.” 10.2, 119.
—(Spanish) Cameron, “Doble Juego.” 10.2, 121.
—(Spanish) Cameron, “Tranas.” 10.2, 123.
—(Spanish) Cameron, “Retirada.” 10.2, 123.
—(Spanish) Germán Guerra, “Martí.” 13.1, 108.
—(Spanish) Guerra, “A Circus, A Universe.” 13.1, 112.
—(Spanish) Guerra, “The City and the Edge of the Island.” 13.1, 114.
—(Spanish) Guerra, “Sojourn in Pompeii and Herculaneum.” 13.1, 116.
—(Spanish) Guerra, “Ming Y / the Dimming of the Light.” 13.1, 118.
Fridman, Leora S. (Spanish) (with Marina Kaplan, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20.2, 52.
—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20.2, 52.
—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20.2, 54.
—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20.2, 56.
—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20.2, 58.
Genova, Thomas. (Spanish) Feliux M. Tanco Y Bosmeniel. “Petrona and Rosalia.” 25.1, 162.
González Rodríguez, Maria Luz. (English to Spanish) Penn Kemp, “Not Waving But Drowning.” 20.2, 62.
Graf, Eric Clifford. (Spanish) Garcilaso de la Vega, “Sonnet 29.” 8.2, 122.
Hammond, Catherine. (Spanish) Olvido García Valdés, “Olive Trees Pulled out by the Roots…” 18.2, 50.
Higle, Heather E. (Spanish) Ginás S. Cutillas, “A Domestic Story.” 23.1, 37.
—(Spanish) Ginás S. Cutillas, “A Small Problem.” 23.1, 37.
Hill, Nick. (Spanish) David Huerta, “Noviazgo.” 11.2, 142.
—(Spanish) Huerta, “Bolero en Armagedón.” 11.2, 146.
Holland-Wempe, Stephen. (Spanish) Xánath Caraza, “Mujer.” 20.2, 114.
Irasema, Iglesias Galvan Claudia. (Spanish to Italian) Xanath Caraza, “Where Are You?” 25.2, 129.
—(Spanish to Italian) Caraza, “Be a Witness.” 25.2, 132.
—(Spanish to Italian) Caraza, “How Many Lives?” 25.2, 137.
—(Spanish to Italian) Caraza, “Spill Water.” 25.2, 141.
Jenkins, Philip (with Eli Tolaretxipi). (Spanish) Eli Tolaretxipi, “The Fish.” 12.1-2, 194.
—(Spanish) Tolaretxipi, “Los Lazos del Número.” 12.1-2, 197.
—(Spanish) Tolaretxipi, “Poems from Dead Love, Still Life.” 12.1-2, 203.
Johnson, John (with Terry Ehret and Nancy Morales). (Spanish) Ulalume González de León, “Semantic Fragments.” 23.2, 84.
—(with Terry Ehret and Nancy Morales). (Spanish) Ulalume González de León, “Word.” 23.2, 84.
Kamei, Toshiya. (Spanish) Juan Gerardo Aguilar, “Flowers in the Windows.” 13.2, 156.
—(Spanish) Espido Freire, “The Black Sheep.” 17.2, 135.
Kaplan, Marina. (Spanish) (with Leora S. Fridman, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20.2, 52.
—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20.2, 52.
—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20.2, 54.
—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20.2, 56.
—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20.2, 58.
Kaplan, Robert. (Spanish) (with Leora S. Fridman, M. Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20.2, 52.
—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20.2, 52.
—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20.2, 54.
—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20.2, 56.
—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20.2, 58.
— (with Margaret Young) (Spanish) Debora Benacot, “(She found out her spiral notebook).” 25.2, 122.
— (with Margaret Young) (Spanish) Benacot, “(It is not true that any self-respecting writer).” 25.2, 124.
— (with Margaret Young) (Spanish) Benacot, “(The newborn girl).” 25.2, 126.
Kingery, Sandra. (Spanish) Xanath Caraza, “Where Are You?” 25.2, 129.
—(Spanish) Caraza, “Be a Witness.” 25.2, 132.
—(Spanish) Caraza, “How Many Lives?” 25.2, 137.
—(Spanish) Caraza, “Spill Water.” 25.2, 141.
Lázaro, Reyes. (with Dan Murphy). (Spanish) Bernardo Atxaga, “Confession.” 12.1-2, 52.
—(English into Spanish) Ferida Durakovic, “From the Textbook of Slavic Mythology.” 12.1-2, 102.
—(English into Spanish) Durakovic, “Georg Trakl on the Battlefield Revisited, 1993.” 12.1-2, 104.
—(English into Spanish) Durakovic, “It’s April.” 12.1-2, 109.
—(with Moon). (Spanish) Tere Irastortza, “Untitled.” 12.1-2, 135.
—(with Moon). (Spanish) Irastortza, “Untitled.” 12.1-2, 138.
—(Spanish) (with Leora Fridman, Robert Kaplan, and Marina Kaplan) Aldo Pellegrini, “System of Discipline.” 20.2, 52.
—(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, “Someone Waking Up.” 20.2, 52.
—(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, “Need for the Adding Machine.” 20.2, 54.
—(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, “The Heart of all Faces.” 20.2, 56.
—(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, “One More Show.” 20.2, 58.
Leong, Michael. (Spanish) Estela Lamat, “How to Make a Corner.” 17.1, 110.
—(Spanish) Lamat, “La Llorona, I Endure for the Purpose of Crying.” 17.1, 112.
Levin, Lynn (with Odi Gonzales). (Spanish) Odi Gonzales, “Apprentice Painters.” 20.1, 25.
—(Spanish) “God Shows Paradise to Adam and Eve.” 20.1, 31.
—(Spanish) “The Prodigal Son.” 20.1, 35.
Levitin, Alexis. (Spanish) Carmen Váscones, poems. 21.2, 100.
—(Spanish) Ana Minga, poems. 21.2, 104.
Lindgren, Joan. (Spanish) Claudio Rodriguez, “Calle Sin Nombre.” 11.2, 132.
—(Spanish) Claudio Rodriguez, “Los Almendros de Marialba.” 11.2, 138.
Livingstone, Victoria. (Spanish) Alina Diaconu, “Child’s Drawing.” 16.2, 198.
—(Spanish) Diaconú, “Violent Buenos Aires.” 16.2, 198.
—(Spanish) Diaconú, “Beauty Unaware.” 16.2, 200.
—(Spanish) Diaconú, “The Body.” 16.2, 202.
—(Spanish) Diaconú, “Gray Matter.” 16.2, 202.
Magallanos, Carmen (with Marie Waechter). (Spanish) Magallanos, “Seven Poems.” 4.1, 86.
Maier, Ted (with Alicia Cabiedes-Fink). (Spanish) Sara Vanegas Coveña, “Four Poems by Sara Vanegas Coveña.” 4.2, 94.
Menei, Giambattista. (Italian into Spanish) Mario Materassi, “Niente di Personale. Assolutamente Niente di Personale.” 11.2, 166.
Merwin, W.S. (Spanish) Antonio Porchia, “Voices.” 4.2, 31.
Miller, Elizabeth Gamble. (Spanish) Antonio Porpetta, poems. 2.2, 94.
Moon, Sarah (with Reyes Lázaro). (Spanish) Tere Irastortza, “Untitled.” 12.1-2, 135.
—(with Lázaro). (Spanish) Irastortza, “Untitled.” 12.1-2, 138.
—(Spanish) Julia Otxoa, “Cranes.” 12.1-2, 158.
—(Spanish) Otxoa, “Language of Shadows.” 12.1-2, 160.
Morales, Nancy (with Terry Ehret and John Johnson). (Spanish) Ulalume González de León, “Semantic Engagements.” 23.2, 84.
—(with Terry Ehret and John Johnson). (Spanish) Ulalume González de León, “Word.” 23.2, 84.
Murphy, Dan (with Reyes Lázaro). (Spanish) Bernardo Atxaga, “Confession.” 12.1-2, 47.
O’Halloran, Steve. (Spanish) O’Halloran, poems. 6.1, 112.
Olsen, Andrea E. (Spanish) Cristina Fernández-Cubas, “Death in Captivity.” 17.2, 120.
Oram, Lydia Miranda. (Spanish) Almudena Grandes, “Exemplary Women (Modelos de Mujer),” Excerpts from the Prologue: Memories of a Gypsy Girl, “Mother Love.” 9.2, 2.
—(Spanish) “Review: After-Dinner Declarations.” Poems by Nicanor Parra. Trans. Deborah Garfinkle. 17.2, 169.
—(Spanish “Review: An Anthology of Nineteenth-Century Women’s Poetry from Spain: In English Translation with Original Text.” 17.2, 187.
Osner, Jeremy. (Spanish) Slavko Zupcic, “Tescucho, Italy,” (from the short story collection Médicos Taxistas). 21.2, 238.
Otxoa, Julia. (Spanish) “Aphorisms and Poems.” 12.1-2, 152.
Porter, Phoebe. (Spanish) Maite González Esnal, “Blackbirds in the Cornfield.” 12.1-2, 122.
Racz, G.J. (Spanish) Eduardo Chirinos, “Poet’s Wood,” from Escrito En Missoula. 16.2, 84.
—(Spanish) Chirinos, “The House of the Lord.” 16.2, 86.
—(Spanish) Chirinos, “Bears.” 16.2, 86.
—(Spanish) Chirinos, “Poem for my Uncle Janus.” 16.2, 88.
—(Spanish) Chirinos, “On an Old Poem by Li Po.” 16.2, 90.
—(Spanish) Chirinos, “The Day the Trees Died.” 16.2, 92.
—(Spanish) Chirinos, “Saturday at the Zoo.” 16.2, 94.
—(Spanish) Manuel González Prada, “The Bible.” 18.1, 98.
—(Spanish) González Prada, “The Holy Fathers.” 18.1, 98.
—(Spanish) González Prada, “Saint Thomas Aquinas.” 18.1, 98.
—(Spanish) González Prada, “Antonio Cánovas Del Castillo.” 18.1, 100.
—(Spanish) González Prada, “Jacques Bénigne Bossuet.” 18.1, 100.
—(Spanish) González Prada, “Denis Diderot.” 18.1, 100.
—(Spanish) González Prada, “Antonio Fernández Grilo.” 18.1, 102.
—(Spanish) González Prada, “José Nakens.” 18.1, 102.
—(Spanish) González Prada, “Otto Von Bismarck.” 18.1, 102.
—(Spanish) González Prada, “Virgil.” 18.1, 104.
—(Spanish) González Prada, “Johann Wolfgang Goethe.” 18.1, 104.
—(Spanish) González Prada, “Charles Baudelaire.” 18.1, 104.
—(Spanish) González Prada, “Paul Verlaine.” 18.1, 106.
—(Spanish) Félix María Samaniego, “The Fables of Félix María Samaniego.” 21.2, 20
—(Spanish) Juan Del Valle Y Caveides, “Punctuated Verses.” 23.1, 110.
—(Spanish) Garcilaso De La Vega, “Letter to Boscán.” 23.1, 112.
Ramos, German E. Vargas (with Glenda Y. Nieto Cuebas). (Spanish) Francisco De Castro, “Interlude of the Witches.” 23.1, 212.
Rathbun, Jennifer. (Spanish) Juan Armando Rojas, “Book.” 13.1, 142.
—(Spanish) Rojas, “Telescope.” 13.1, 144.
—(Spanish) Rojas, “Map.” 13.1, 146.
—(Spanish) Rojas, “Memory.” 13.1, 148.
—(Spanish) Rojas, “Flight.” 13.1, 150.
Rosenberg, Samuel N. (with Patricia Terry). (Occitan and Spanish) Anonymous, “Occitan folk ballads.” 20.1, 97.
Scott, Nina. (Spanish) Juan Rodriguez Freile, “The Witch Juana Garcia.” 2.1, 19.
Smith, Donny. (Spanish) Wenceslao Maldonado, “Gorgona.” 13.2, 68.
Stavans, Ilan. (Spanish) Gerardo Mario Goloboff, “The Passion According to San Martin.” 2.1, 30.
—(Spanish) Alcina Lubich Domecq, “Bottles.” 5.1, 95.
Stein-Obreros, Anna. (Spanish) Reina Roffé, “Sleepless Night” 20.1, 174.
Terando, Lorena (Spanish) Consuelo Avila, “Compañero” from Bajo Mis Pies No Florecen Amapolas. 10.2, 129
—(Spanish) Avila, “Miedo.” 10.2, 129
—(Spanish) Avila, “Caracoles.” 10.2, 131,
—(Spanish) Avila, “Conversación.” 10.2, 131
—(Spanish) Avila, “Soledad.” 10.2, 131
—(Spanish) Avila, “Celos.” 10.2, 133
—(Spanish) Avila, “Deja.” 10.2, 133
—(Spanish) Avila, “Prisión.” 10.2, 135
Torre, Cristina de la. (Spanish) Alejandro Aguilar, “Negrito, the Chinese Sugar Man.” 11.2, 190.
—(Spanish) Bernardo Atxaga, “Adam’s Flu.” 13.2, 26.
Tolaretxipi, Eli. (Basque into Spanish) Tere Irastortza, “Hawking.” 12.1-2, 131.
—(Basque into Spanish) Irastortza,”Untitled.” 12.1-2, 134.
—(Basque into Spanish) Irastortza,”Untitled.” 12.1-2, 137.
Upton, John. (Spanish) Luis de Góngora, “How Our Life is Shorter Than We Think.” 13.2, 142.
Vázquez, Pilar. (Spanish) John Berger, “Cada Día Más Rojas.” 12.1-2, 187.
Waechter, Maria (and Carmen Magallanos). (Spanish) Magallanos, “Seven Poems.” 4.1, 86.
Washbourne, Kelly. (Spanish) Ruben Darío, “Honorio’s Nightmare.” 1.2, 48.
—(Spanish) Washbourne, “The Nirvana Dictionary,” “Not What It Can But What It Must.” 2.1, 11.
Young, Margaret. (with Robert Kaplan) (Spanish) Debora Benacot, “(She found out her spiral notebook).” 25.2, 122.
—(with Robert Kaplan) (Spanish) Benacot, “(It is not true that any self-respecting writer).” 25.2, 124.
—(with Robert Kaplan) (Spanish) Benacot, “(The newborn girl).” 25.2, 126.
Zimmerman, Sam. (Spanish) Nela Rio, “Ever Carlotta.” 2.2, 36.